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Howard Hodgkin

Bamboo, 2000

Screenprint in colors, on wove paper, with full margins
33 2/5 × 36 3/5 in
84.8 × 93 cm
Edition 106/108 + 16AP
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
P
Phillips

Image: 26 1/4 x 30 1/2 in. (66.7 x 77.5 cm)
Sheet: 33 3/8 x 36 5/8 in. (84.8 x 93 cm)
Framed

Image: 26 1/4 x 30 1/2 in. (66.7 x 77.5 cm)
Sheet: 33 3/8 x 36 5/8 in. (84.8 x 93 cm)
Framed

Signature
Signed with initials, dated and numbered 106/108 in pencil (there were also 18 artist's proofs)
Publisher
Lincoln Center List Poster and Print Program, New York
Howard Hodgkin
British, b. 1932
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Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

Save
Save
view
View in room
share
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Save
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view
View in room
share
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About the work
Bibliography
P
Phillips

Image: 26 1/4 x 30 1/2 in. (66.7 x 77.5 cm)
Sheet: 33 3/8 x 36 5/8 in. (84.8 x 93 cm)
Framed

Image: 26 1/4 x 30 1/2 in. (66.7 x 77.5 cm)
Sheet: 33 3/8 x 36 5/8 in. (84.8 x 93 cm)
Framed

Signature
Signed with initials, dated and numbered 106/108 in pencil (there were also 18 artist's proofs)
Publisher
Lincoln Center List Poster and Print Program, New York
Howard Hodgkin
British, b. 1932
Follow

Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

Howard Hodgkin

Bamboo, 2000

Screenprint in colors, on wove paper, with full margins
33 2/5 × 36 3/5 in
84.8 × 93 cm
Edition 106/108 + 16AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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