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Howard Hodgkin

Books for the Paris Review, 1998

Hand-coloured lift-ground etching and aquatint from 3 copper platesand carborundum from 2 aluminium plates on 100% cotton paper
15 × 16 1/2 in
38 × 42 cm
Edition of 100
This is part of a limited edition set.
£7,000 - 10,000
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Cristea Roberts Gallery
London
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Catalogue raisonné reference T&H 100

Catalogue raisonné reference T&H 100

Medium
Print
Howard Hodgkin
British, b. 1932
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Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

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About the work
Cristea Roberts Gallery
London
Follow

Catalogue raisonné reference T&H 100

Catalogue raisonné reference T&H 100

Medium
Print
Howard Hodgkin
British, b. 1932
Follow

Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

Howard Hodgkin

Books for the Paris Review, 1998

Hand-coloured lift-ground etching and aquatint from 3 copper platesand carborundum from 2 aluminium plates on 100% cotton paper
15 × 16 1/2 in
38 × 42 cm
Edition of 100
This is part of a limited edition set.
£7,000 - 10,000
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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