Howard Hodgkin, ‘Early Evening in the Museum of Modern Art; and All Alone in the Museum of Modern Art, from In the Museum of Modern Art’, 1979, Phillips

Evening Sheet: 30 x 39 5/8 in. (76.2 x 100.6 cm)
Alone Sheet: 29 1/2 x 38 3/4 in. (74.9 x 98.4 cm)
Both unframed

Signature: Both signed, dated and annotated AP in red crayon (each one of 20 artist's proofs, the edition was 100 for both editions)

Publisher: Petersburg Press, New York

Liesbeth Heenk 51 and 53

About Howard Hodgkin

Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

British, b. 1932, London, United Kingdom