Howard Hodgkin, ‘In the Museum of Modern Art: three plates’, 1979, Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

All sheets: approx. 77 x 100 cm (30 3/8 x 39 3/8 in.)

Including Late Afternoon in the Museum of Modern Art, Early Evening in the Museum of Modern Art, and Thinking Aloud in the Museum of Modern Art.

Signature: All signed, dated and numbered 91/100, 95/100 and 91/100 respectively in red crayon (there were also 20 artist's proofs), published by Petersburg Press, New York, all unframed.

Liesbeth Heenk 50-52

About Howard Hodgkin

Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

British, b. 1932, London, United Kingdom