Howard Hodgkin, ‘Late Afternoon in the Museum of Modern Art’, 1979, Sims Reed Gallery

Printed on buff BFK Rives mould-made paper by Petersburg Studios, New York.

Signature: Signed and dated in red crayon, numbered from the edition of 100 (total edition includes 20 artist's proofs).

Publisher: Published by Petersburg Press, New York.

(Heenk 50)

About Howard Hodgkin

Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

British, b. 1932, London, United Kingdom