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Howard Hodgkin

The Hospital Room was Choked with Flowers Everybody Likes Flowers Surplus Flowers The Room... was Filling up with Flowers, from The Way We Live Now, 1990

Etching and aquatint with hand-coloring, on laid paper, the full sheet
11 1/2 × 24 9/10 in
29.2 × 63.2 cm
Edition 34/50
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
P
Phillips

Property from the Estate of Martin Lipton, Boca Raton

Signed with initials and numbered 34/50 in …

Read more

Property from the Estate of Martin Lipton, Boca Raton

Signed with initials and numbered 34/50 in pencil, published by Karsten Schubert, London, framed.

Howard Hodgkin
British, b. 1932
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Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

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View in room
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About the work
Bibliography
P
Phillips

Property from the Estate of Martin Lipton, Boca Raton

Signed with initials and numbered 34/50 in …

Read more

Property from the Estate of Martin Lipton, Boca Raton

Signed with initials and numbered 34/50 in pencil, published by Karsten Schubert, London, framed.

Howard Hodgkin
British, b. 1932
Follow

Howard Hodgkin became a prominent figure in British art in the 1970s for painting on wooden supports such as drawing boards and door frames instead of canvas. Using broad, gestural brushstrokes and a vivid palette of contrasting colors that emphasized the rectangular picture plane, Hodgkin defined painting as an object. While his early compositions have a collaged geometric flatness, Hodgkin’s later work, including etchings and aquatint prints, has increasingly incorporated more complex fluid patterning, reminiscent of Henri Matisse’s The Morrocans (1916), Édouard Vuillard’s interiors, and Paturi miniatures from India, of which he was an avid collector.

Howard Hodgkin

The Hospital Room was Choked with Flowers Everybody Likes Flowers Surplus Flowers The Room... was Filling up with Flowers, from The Way We Live Now, 1990

Etching and aquatint with hand-coloring, on laid paper, the full sheet
11 1/2 × 24 9/10 in
29.2 × 63.2 cm
Edition 34/50
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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