Huang Yan, ‘Chinese Landscape Tattoo No. 4 中国山水纹身之四’, 1999, The Metropolitan Museum of Art

黄岩 中国山水纹身之四

Image rights: Photo: courtesy of The Metropolitan Museum of Art

Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, 2013-14

Lent by a private collection, New York

About Huang Yan

With works rife with references to Chinese history and cultural traditions, Huang Yan honors the values of his country’s past while exploring their place within contemporary China. Among his best-known projects is his “Chinese Landscapes” series, begun in 1999. Combining photography, painting, and body art, it features color photographs of himself and others covered not with clothing but with landscape paintings executed in the traditional style. While transposing such paintings onto the nude body—a taboo subject not incorporated into Chinese art until the 1970s—may be seen as radical, for Huang it illustrates an urgent message. In all of his work, he aims to remind his fellow citizens of the preciousness of China’s artistic, philosophical, and social heritage. “Landscape is […] my resistance against worldly conflicts and a way of releasing my Chan ideas,” he once stated.

Chinese, b. 1966, Jilin Province, China, based in Beijing, China

Group Shows

New York,
Body, Self, Society: Chinese Performance Photography of the 1990s
T+H Gallery, 
Masters Projects, 
Stare Into The Rising Sun (Editions by Contemporary Asian Art Stars)

Fair History on Artsy

Galerıe Blue Square at Art Paris 2014