Ibrahim El-Salahi, ‘Recollections’, 1969, Drawing, Collage or other Work on Paper, Pen and coloured inks, Vigo Gallery
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Ibrahim El-Salahi

Recollections, 1969

Pen and coloured inks
22 × 30 1/10 in
56 × 76.5 cm
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Location
London
Medium
Ibrahim El-Salahi
Sudanese, b. 1930
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A leader of the Sudanese Khartoum School and the first African artist to have a retrospective at the Tate Modern in London, Ibrahim El Salahi combines European styles with traditional Sudanese themes in his art. El Salahi studied art in London and takes formal and ideological cues from modernist painting, resulting in a balance of pure expression and gestural freedom in his work. The mask-like faces and earth tones of his early graphic works channel elements of Cubism and Surrealism and incorporate Muslim iconography. El Salahi’s art encompasses and explores a range of compositional forms, including fragments of Arabic calligraphy, but perpetually evokes a transnational, African-influenced surrealism.

Ibrahim El-Salahi, ‘Recollections’, 1969, Drawing, Collage or other Work on Paper, Pen and coloured inks, Vigo Gallery
Save
Save
View
View in room
Share
Share
Medium
Ibrahim El-Salahi
Sudanese, b. 1930
Follow

A leader of the Sudanese Khartoum School and the first African artist to have a retrospective at the Tate Modern in London, Ibrahim El Salahi combines European styles with traditional Sudanese themes in his art. El Salahi studied art in London and takes formal and ideological cues from modernist painting, resulting in a balance of pure expression and gestural freedom in his work. The mask-like faces and earth tones of his early graphic works channel elements of Cubism and Surrealism and incorporate Muslim iconography. El Salahi’s art encompasses and explores a range of compositional forms, including fragments of Arabic calligraphy, but perpetually evokes a transnational, African-influenced surrealism.

Ibrahim El-Salahi

Recollections, 1969

Pen and coloured inks
22 × 30 1/10 in
56 × 76.5 cm
Sold
Location
London
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