10 Masters of the Self-Portrait, in Their Own Words
HAT: A boater with flowers for Fourth of June, (inspired by the traditional Eton/ Oxford College boat-race celebration for Queen and Country, started in 1829, held annually since 1856)
COAT: Green Afghanistan traditional coat American Boy Scout shirt 17th/18th century men‚ neckwear, cummer- bund, vintage, Anglo-American
BREECHES: Early 1990s Matsuda/ Japanese-designed tweed-knee breeches
SOCKS: Italian football/soccer socks, 1960s to present BOOTS: Brown boots by Trickers
BUGLE: Antique American Boy Scout Brass Bugle
With his ongoing photographic self-portrait series “Sartorial Anarchy”, wherein he is dressed in varied costumes across geography and time, Nigerian-born Iké Udé explores a world of dualities: photographer/performance artist, artist/spectator, African/post-nationalist, mainstream/marginal, individual/everyman, and fashion/art. Conversant with the world of fashion and celebrity, Udé offers a new take on aspects of performance and representation, melding his own theatrical selves and multiple personas with his art. “By mixing varied costumes in concert with the now and then,” he has said, “we begin to realize how arbitrary, subjective, fleeting, even absurd—no less wonderful—our ‘real’ cultural construct is.” Udé plays with the ambiguities of the marketplace and art world, particularly in his notorious art, culture, and fashion magazine, aRUDE and style blog,theCHIC INDEX. His articles on fashion and art have been published in magazines and newspapers worldwide, and Vanity Fair included him on their International Best Dressed List in 2009 and in 2012.
Nigerian, b. 1964, Lagos, Nigeria, based in New York, New York