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Imi Knoebel

Anima Mundi 50-5 , Ed. 2010/2014

Acrylic on plastic foil behind non-glare museum glass
18 1/10 × 14 1/5 in
46 × 36 cm
This is a unique work.
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About the work
Medium
Painting
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Imi Knoebel
German, b. 1940
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Imi Knoebel’s minimalist hybrids of painting and sculpture explore relationships between color and structure. Knoebel studied under Joseph Beuys, but drew formative influence from Kasimir Malevich in his consistent return to the square and reductive use of color. While his early pieces were black and white, as in the series “Linienbildern” (Line Paintings) (1966-69), he began to explore vibrant, saturated color in 1974 with his friend and classmate Blinky Palermo, to whom he would dedicate “24 Farben für Blinky” (“24 Colors for Blinky”) (1977), a series of brightly colored irregular shapes. Knoebel also worked in projection as a medium, though throughout these explorations he maintained his focus on the square and the grid as central elements.

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View in room
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Save
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About the work
Medium
Painting
Frame
Included
Imi Knoebel
German, b. 1940
Follow

Imi Knoebel’s minimalist hybrids of painting and sculpture explore relationships between color and structure. Knoebel studied under Joseph Beuys, but drew formative influence from Kasimir Malevich in his consistent return to the square and reductive use of color. While his early pieces were black and white, as in the series “Linienbildern” (Line Paintings) (1966-69), he began to explore vibrant, saturated color in 1974 with his friend and classmate Blinky Palermo, to whom he would dedicate “24 Farben für Blinky” (“24 Colors for Blinky”) (1977), a series of brightly colored irregular shapes. Knoebel also worked in projection as a medium, though throughout these explorations he maintained his focus on the square and the grid as central elements.

Imi Knoebel

Anima Mundi 50-5 , Ed. 2010/2014

Acrylic on plastic foil behind non-glare museum glass
18 1/10 × 14 1/5 in
46 × 36 cm
This is a unique work.
Want to sell a work by this artist? Consign with Artsy.
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