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Imi Knoebel, ‘Rote Acrylglaszeichnung 19’, 1990, Jahn und Jahn
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Imi Knoebel

Rote Acrylglaszeichnung 19, 1990

Varnish and plexiglass
81 1/10 × 58 7/10 in
206 × 149 cm
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Location
Munich
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About the work
Provenance
Medium
Painting
Image rights
© VG Bildkunst, Foto: Imi Knoebel, Courtesy Galerie Jahn und Jahn GmbH
Imi Knoebel
German, b. 1940
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Imi Knoebel’s minimalist hybrids of painting and sculpture explore relationships between color and structure. Knoebel studied under Joseph Beuys, but drew formative influence from Kasimir Malevich in his consistent return to the square and reductive use of color. While his early pieces were black and white, as in the series “Linienbildern” (Line Paintings) (1966-69), he began to explore vibrant, saturated color in 1974 with his friend and classmate Blinky Palermo, to whom he would dedicate “24 Farben für Blinky” (“24 Colors for Blinky”) (1977), a series of brightly colored irregular shapes. Knoebel also worked in projection as a medium, though throughout these explorations he maintained his focus on the square and the grid as central elements.

Imi Knoebel, ‘Rote Acrylglaszeichnung 19’, 1990, Jahn und Jahn
Save
Save
View
View in room
Share
Share
About the work
Provenance
Medium
Painting
Image rights
© VG Bildkunst, Foto: Imi Knoebel, Courtesy Galerie Jahn und Jahn GmbH
Imi Knoebel
German, b. 1940
Follow

Imi Knoebel’s minimalist hybrids of painting and sculpture explore relationships between color and structure. Knoebel studied under Joseph Beuys, but drew formative influence from Kasimir Malevich in his consistent return to the square and reductive use of color. While his early pieces were black and white, as in the series “Linienbildern” (Line Paintings) (1966-69), he began to explore vibrant, saturated color in 1974 with his friend and classmate Blinky Palermo, to whom he would dedicate “24 Farben für Blinky” (“24 Colors for Blinky”) (1977), a series of brightly colored irregular shapes. Knoebel also worked in projection as a medium, though throughout these explorations he maintained his focus on the square and the grid as central elements.

Imi Knoebel

Rote Acrylglaszeichnung 19, 1990

Varnish and plexiglass
81 1/10 × 58 7/10 in
206 × 149 cm
Sold
Location
Munich
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
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Minimalism