Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Alfred Stieglitz, Photographer, 1934

Gelatin silver print
14 × 11 in
35.6 × 27.9 cm
Contact For Price
location
Seattle
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Imogen Cunningham
American, 1883–1976
Follow

One of the first professional female photographers in America, Imogen Cunningham is best known for her botanical photography, though she also produced images of nudes, industrial landscapes, and street scenes. After studying photography in Germany, Cunningham opened a portrait studio in Seattle, producing soft-focus allegorical prints in the tradition of Pictorialism—a style of photography influenced by academic painting from the turn of the century—as well as portraiture. From the early 1920s she began to take close-up, sharply detailed studies of plant life and other natural forms, including a two-year-long, in-depth study of the magnolia flower. In 1932 she joined an association of West Coast modernist photographers known as f64, rejecting sentimental soft-focus subjects in favor of greater sensuousness. Cunningham was also interested in human subjects and frequently took pictures of the hands of musicians and artists. Edward Weston was a supporter of her work, and she associated at various times with other iconic 20th-century photographers, including Ansel Adams, Minor White, and Dorothea Lange.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Imogen Cunningham
American, 1883–1976
Follow

One of the first professional female photographers in America, Imogen Cunningham is best known for her botanical photography, though she also produced images of nudes, industrial landscapes, and street scenes. After studying photography in Germany, Cunningham opened a portrait studio in Seattle, producing soft-focus allegorical prints in the tradition of Pictorialism—a style of photography influenced by academic painting from the turn of the century—as well as portraiture. From the early 1920s she began to take close-up, sharply detailed studies of plant life and other natural forms, including a two-year-long, in-depth study of the magnolia flower. In 1932 she joined an association of West Coast modernist photographers known as f64, rejecting sentimental soft-focus subjects in favor of greater sensuousness. Cunningham was also interested in human subjects and frequently took pictures of the hands of musicians and artists. Edward Weston was a supporter of her work, and she associated at various times with other iconic 20th-century photographers, including Ansel Adams, Minor White, and Dorothea Lange.

Alfred Stieglitz, Photographer, 1934

Gelatin silver print
14 × 11 in
35.6 × 27.9 cm
Contact For Price
location
Seattle
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
Other works by Imogen Cunningham
Other works from G. Gibson Gallery
Related works
Most Similar
Eye Contact
Modern Photography