Imogen Cunningham, ‘Magnolia Blossom’, 1925, Weston Gallery
Imogen Cunningham, ‘Magnolia Blossom’, 1925, Weston Gallery

Price and availability subject to change without notice.

Signature: Larger photograph signed on the front of the mount. Folsom Street label on the back of the mount. Printed in the 1970's. Smaller photograph has blind signature stamp embossed on overmat; titled, dated with Imogen Cunningham Trust label affixed to mount verso.

About Imogen Cunningham

One of the first professional female photographers in America, Imogen Cunningham is best known for her botanical photography, though she also produced images of nudes, industrial landscapes, and street scenes. After studying photography in Germany, Cunningham opened a portrait studio in Seattle, producing soft-focus allegorical prints in the tradition of Pictorialism—a style of photography influenced by academic painting from the turn of the century—as well as portraiture. From the early 1920s she began to take close-up, sharply detailed studies of plant life and other natural forms, including a two-year-long, in-depth study of the magnolia flower. In 1932 she joined an association of West Coast modernist photographers known as f64, rejecting sentimental soft-focus subjects in favor of greater sensuousness. Cunningham was also interested in human subjects and frequently took pictures of the hands of musicians and artists. Edward Weston was a supporter of her work, and she associated at various times with other iconic 20th-century photographers, including Ansel Adams, Minor White, and Dorothea Lange.

American, 1883-1976, Portland, Oregon, based in San Francisco, California