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Blue Plane, 2002

Mixed media and oil on canvas
35 × 35 in
88.9 × 88.9 cm
Bidding closed
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About the work
Provenance
P
Phillips
Signature
Signed, titled and dated ""Blue Plane" Isca 2002" on the reverse
Isca Greenfield-Sanders
American, b. 1978
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Saturated with nostalgia and vibrant hues, Isca Greenfield-Sanders’ paintings emerge from an intensive, meticulous process. She finds, scans, edits, and prints vintage photographs, alters them with watercolor and pencil, then mounts details from the images onto tiles before, finally, painting over them in oils. This layering of mediums mirrors the layers of abstract and figurative meaning in her works. “I have an interest in the never-ending quality of an image,” Greenfield-Sanders says. “I think of these paintings as being traced from one medium to the next, perhaps being translated.” Many of Greenfield-Sanders’ paintings depict post-war American ideals of family and leisure, such as her idyllic seaside and backyard pool scenes. Others, such as the Korean War parachute paintings in the series “Against the Fall” (2008), reveal a more explicit skepticism about America’s fabled innocence in the 1950s.

Save
Save
view
View in room
share
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Save
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view
View in room
share
Share
About the work
Provenance
P
Phillips
Signature
Signed, titled and dated ""Blue Plane" Isca 2002" on the reverse
Isca Greenfield-Sanders
American, b. 1978
Follow

Saturated with nostalgia and vibrant hues, Isca Greenfield-Sanders’ paintings emerge from an intensive, meticulous process. She finds, scans, edits, and prints vintage photographs, alters them with watercolor and pencil, then mounts details from the images onto tiles before, finally, painting over them in oils. This layering of mediums mirrors the layers of abstract and figurative meaning in her works. “I have an interest in the never-ending quality of an image,” Greenfield-Sanders says. “I think of these paintings as being traced from one medium to the next, perhaps being translated.” Many of Greenfield-Sanders’ paintings depict post-war American ideals of family and leisure, such as her idyllic seaside and backyard pool scenes. Others, such as the Korean War parachute paintings in the series “Against the Fall” (2008), reveal a more explicit skepticism about America’s fabled innocence in the 1950s.

Blue Plane, 2002

Mixed media and oil on canvas
35 × 35 in
88.9 × 88.9 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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