Jack Whitten, ‘Loop # 42’, 2012, Museum Dhondt-Dhaenens

About Jack Whitten

Early on, Jack Whitten was influenced by both the Bauhaus and Abstract Expressionism, but after meeting William de Kooning the balance tilted toward the latter. Blending figuration and abstraction, Whitten’s emotionally riveting gestural works—including a series on Dr. Martin Luther King, Jr.—touched upon the racial turmoil he understood so well as an African American from the South. The 1970s marked a stylistic rupture, after which Whitten endeavored to define “a new spatial perception” by “experimenting with the possibilities of paint without imposing the added burden of psychological implications.” In this vein, he began to draw large fields of color across his canvases with Afro combs, squeegees, and homemade rakes to create what he called “Energy Fields”. Whitten’s recent experimentations take the form of mosaics, wherein he transforms paint compounds into tiles and applies them to canvas.

American, b. 1939, Bessemer, Alabama, based in New York, New York

Exhibition Highlights On Artsy

2015
A Constellation, The Studio Museum in Harlem, New York
2015
Jack Whitten: Five Decades of Painting, Walker Art Center, Minneapolis
2014
Biennial of Painting: "The Touch of the Painter", Museum Dhondt-Dhaenens, Deurle
2014