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Jackson Pollock, ‘Echo: Number 25, 1951’, 1951, Dallas Museum of Art
Jackson Pollock, ‘Echo: Number 25, 1951’, 1951, Dallas Museum of Art
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Echo: Number 25, 1951, 1951

Enamel on canvas
91 × 86 in
231.1 × 218.4 cm
Location
Dallas
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About the work
Exhibition history
Provenance
Dallas Museum of Art
Dallas
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Collection: The Museum of Modern Art, New York

Collection: The Museum of Modern Art, New York

Medium
Painting
Image rights
© 2015 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Jackson Pollock
American, 1912–1956
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Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor. A wholly original, rule-shattering figure in American art, Pollock inspired Frank Stella, Richard Serra, and the Color Field painters. Pollock's early Surrealist works of personal symbols and abstract figures show the influence of José Clemente Orozco, David Alfaro Siqueiros, Pablo Picasso, Paul Klee, Joan Miró, and Max Ernst, as well as his experiences with Jungian psychotherapy.

Jackson Pollock, ‘Echo: Number 25, 1951’, 1951, Dallas Museum of Art
Jackson Pollock, ‘Echo: Number 25, 1951’, 1951, Dallas Museum of Art
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Provenance
Dallas Museum of Art
Dallas
Follow

Collection: The Museum of Modern Art, New York

Collection: The Museum of Modern Art, New York

Medium
Painting
Image rights
© 2015 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Jackson Pollock
American, 1912–1956
Follow

Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor. A wholly original, rule-shattering figure in American art, Pollock inspired Frank Stella, Richard Serra, and the Color Field painters. Pollock's early Surrealist works of personal symbols and abstract figures show the influence of José Clemente Orozco, David Alfaro Siqueiros, Pablo Picasso, Paul Klee, Joan Miró, and Max Ernst, as well as his experiences with Jungian psychotherapy.

Echo: Number 25, 1951, 1951

Enamel on canvas
91 × 86 in
231.1 × 218.4 cm
Location
Dallas
Want to sell a work by this artist? Consign with Artsy.
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New York School
Abstract Expressionism