Jackson Pollock, ‘Number 3’, 1952, Dallas Museum of Art
Save
Save
View
View in room
Share
Share

Jackson Pollock

Number 3, 1952

Enamel on canvas
55 7/8 × 66 1/8 in
141.9 × 168 cm
Location
Dallas
Want to sell a work by this artist? Consign with Artsy.
About the work
Exhibition history
Dallas Museum of Art
Dallas

Collection: Glenstone Modern Art Museum, Potomac, Maryland

Medium
Painting
Image rights
© 2015 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Jackson Pollock
American, 1912–1956
Follow

Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor. A wholly original, rule-shattering figure in American art, Pollock inspired Frank Stella, Richard Serra, and the Color Field painters. Pollock's early Surrealist works of personal symbols and abstract figures show the influence of José Clemente Orozco, David Alfaro Siqueiros, Pablo Picasso, Paul Klee, Joan Miró, and Max Ernst, as well as his experiences with Jungian psychotherapy.

Jackson Pollock, ‘Number 3’, 1952, Dallas Museum of Art
Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Dallas Museum of Art
Dallas

Collection: Glenstone Modern Art Museum, Potomac, Maryland

Medium
Painting
Image rights
© 2015 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Jackson Pollock
American, 1912–1956
Follow

Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor. A wholly original, rule-shattering figure in American art, Pollock inspired Frank Stella, Richard Serra, and the Color Field painters. Pollock's early Surrealist works of personal symbols and abstract figures show the influence of José Clemente Orozco, David Alfaro Siqueiros, Pablo Picasso, Paul Klee, Joan Miró, and Max Ernst, as well as his experiences with Jungian psychotherapy.

Jackson Pollock

Number 3, 1952

Enamel on canvas
55 7/8 × 66 1/8 in
141.9 × 168 cm
Location
Dallas
Want to sell a work by this artist? Consign with Artsy.
More from this series
View series
Other works from Jackson Pollock: Blind Spots
Other works by Jackson Pollock
Related works
Most Similar
New York School
Abstract Expressionism