Jacques-Louis David, ‘Portrait du Pope Pius VII (Portrait of Pope Pie VII)’, 1805, Château de Fontainebleau

Collection: Château de Fontainebleau, Musée Napoléon I

Signature: Inscr. en haut à gauche : « PIVS. VII. », à droite : « PONT. MAX. »

Image rights: © RMN-Grand Palais / Château de Fontainebleau / image RMN-GP

"Pius VII Faces Napoleon: The Papal Tiara in the Eagle's Talons"

Venue: Château de Fontainebleau, Fontainebleau (2015)

Alain Schnapper, n°165, p. 390-392, in Jacques-Louis David,

1748-1825, cat. exp. (Paris, musée du Louvre, département des Peintures ;

Versailles, musée national du château, Versailles, 26 octobre 1989– 12 février 1990),

Antoine Schnapper et Arlette Sérullaz, dir., Paris, RMN, 1989

Hist. : envoi du Musée royal du Louvre à Fontainebleau, 1822

About Jacques-Louis David

The art of Jacques-Louis David is a prime example of Neoclassicism, a style of history painting that flourished in France during the late 18th- and early 19th-centuries. Reacting against the highly ornamented and florid art of the Rococo, David drew upon subjects from ancient European history and Classical civilizations, such as in the Death of Socrates (1787) and Oath of the Horatii (1784). From King Louis XVI’s execution during the French Revolution through the fall of Napoleon’s reign, David painted some of France’s most important historical figures, including royalty, radical revolutionaries (as in Death of Marat (1783)), to Emperor Napoleon himself (as in The Coronation of Napoleon (1805-07). Although David died in exile, his legacy was passed on to generations of artists, including his student Jean-Auguste-Dominique Ingres.

French, 1748-1825, Paris, France, based in Brussels, Belgium