Jacques Villon, ‘La Parisienne, Tournée a Droit’, 1902, Childs Gallery
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Jacques Villon

La Parisienne, Tournée a Droit, 1902

Etching and aquatint
18 1/2 × 14 5/8 in
47 × 37.1 cm
$15,000
Location
Boston
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About the work
Childs Gallery
Boston

Ginestet Pouillon 74, Proof between a and b. Signed in pencil lower right margin: "Jacques …

Medium
Print
Jacques Villon
French, 1875–1963
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The eldest brother of Marcel Duchamp, caricaturist, illustrator, and painter Jacques Villon traded in his given name (Gaston Emile Duchamp) in homage to Alphonse Daudet’s novel Jack (1876) the poet François Villon. Initially noted for humous political cartoons, he soon turned to more serious "Belle Époque" style of printmaking, influenced by Henri de Toulouse-Lautrec. Eventually, he committed himself to painting, which he saw as "a method of prospecting, a manner of expression." As his style developed, he forged a unique blend of flat, geometric Cubist forms and a luminous palette worthy of the Impressionists. Villon was among the French artists who flirted with pure abstraction in the 1920s, producing compositions based on color theory. Ultimately however, he returned to painting portraits and landscapes, and would continue contributing illustrations and original prints to publications.

Jacques Villon, ‘La Parisienne, Tournée a Droit’, 1902, Childs Gallery
Save
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View
View in room
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About the work
Childs Gallery
Boston

Ginestet Pouillon 74, Proof between a and b. Signed in pencil lower right margin: "Jacques Villon". A fine impression in fine condition, aside from ink stains in the left and bottom margins, a 1/2 inch brown stain in the top right corner of the image, and printing creases in the right margin. Sheet measures …

Medium
Print
Jacques Villon
French, 1875–1963
Follow

The eldest brother of Marcel Duchamp, caricaturist, illustrator, and painter Jacques Villon traded in his given name (Gaston Emile Duchamp) in homage to Alphonse Daudet’s novel Jack (1876) the poet François Villon. Initially noted for humous political cartoons, he soon turned to more serious "Belle Époque" style of printmaking, influenced by Henri de Toulouse-Lautrec. Eventually, he committed himself to painting, which he saw as "a method of prospecting, a manner of expression." As his style developed, he forged a unique blend of flat, geometric Cubist forms and a luminous palette worthy of the Impressionists. Villon was among the French artists who flirted with pure abstraction in the 1920s, producing compositions based on color theory. Ultimately however, he returned to painting portraits and landscapes, and would continue contributing illustrations and original prints to publications.

Jacques Villon

La Parisienne, Tournée a Droit, 1902

Etching and aquatint
18 1/2 × 14 5/8 in
47 × 37.1 cm
$15,000
Location
Boston
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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