Edition: The First state is illustrated in the Catalogue Raisonne and this is profoundly different from our editioned second state. The cvatalogue does not mention an edition of 60. Evidently the work is after a drawing made in “Le Courier Francais in 1906, No 33.I.212 which had been mad in Saint-Pierre-en-Port.
Signature: signed in pencil
Colette de Ginestet et Catherine Pouliion “Jacques Villon: Les Estampes et les Illustrations” Catalogue Raisonne Number 162
About Jacques Villon
The eldest brother of Marcel Duchamp, caricaturist, illustrator, and painter Jacques Villon traded in his given name (Gaston Emile Duchamp) in homage to Alphonse Daudet’s novel Jack (1876) the poet François Villon. Initially noted for humous political cartoons, he soon turned to more serious "Belle Époque" style of printmaking, influenced by Henri de Toulouse-Lautrec. Eventually, he committed himself to painting, which he saw as "a method of prospecting, a manner of expression." As his style developed, he forged a unique blend of flat, geometric Cubist forms and a luminous palette worthy of the Impressionists. Villon was among the French artists who flirted with pure abstraction in the 1920s, producing compositions based on color theory. Ultimately however, he returned to painting portraits and landscapes, and would continue contributing illustrations and original prints to publications.