James Ensor, ‘Affiche De La Plume’, 1898, Freeman's

Image: 21 x 14.625 in (53.3 x 37.1cm)
Sheet: 24.9375 x 17.875 in (63.3 x 45.4cm)

The design of the present work was created by James Ensor in conjunction with his first one-man show, held at the Salon des Cents in Paris from December 15, 1898 - January 15, 1899. It was published in a special issue of the French art review, La Plume for this occasion.

Note:
Freeman's is grateful to Mr. Xavier Tricot for his assistance cataloguing this work.

Signature: Pencil signed, with margins

[Delteil, Croquez, 131; Taevernier, 141; Elesh, 136; Tricot, 138]

The Artist.
The Collection of Albert Croquez, Paris, France.
By family descent.
Private Collection, Pennsylvania.

About James Ensor

A major figure of the Belgian avant-garde in the late 19th century and a forerunner of 20th-century Expressionism, James Ensor produced paintings that explored religious subject matter, political satire, and carnivalesque imagery (his family owned an antiques and souvenir emporium that sold grotesque carnival masks). Stylistically, his paintings are characterized by harsh colors and thick layers of oil paint, sometimes applied with palette knives or spatulas. His most famous work, Christ’s Entry into Brussels (1889), incorporated his trademark style and depictions of fairground masks to satirize contemporary religion and politics in Belgium. In his early years, Ensor was a founder and leader of Les Vingt (The Twenty), a group whose goal was to promote new artistic developments in Europe, though they later rejected his work as it became more radical and extreme in subject and method. Ensor admired the works of Francisco Goya and J. M. W. Turner, and felt a particular affinity with their preoccupations with both light and violence.

Belgian, 1860-1949, Ostend, Belgium