James Ensor, ‘Le Vengeance de Hop Frog (Hop Frog's Revenge)’, 1898, Christie's

PROPERTY FROM THE COLLECTION OF AIMÉ MOUQUÉ

Signed, dated, titled and dedicated pour mon ami Aimé Mouqué/ le défenseur brillant de ma musique/ Baron James Ensor/ Ostende Decembre 1937 in pencil, countersigned and titled in pencil on the reverse, with wide margins, with mount staining, otherwise in good condition, framed
Plate 355 x 250 mm., Sheet 688 x 514 mm.

Christie's Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

Delteil, Tavernier 112; Croquez 111; Elesh 115

A gift by the artist to Aimé Mouqué (1894-1961), Ostend, Belgium; then by descent to the present owner.

About James Ensor

A major figure of the Belgian avant-garde in the late 19th century and a forerunner of 20th-century Expressionism, James Ensor produced paintings that explored religious subject matter, political satire, and carnivalesque imagery (his family owned an antiques and souvenir emporium that sold grotesque carnival masks). Stylistically, his paintings are characterized by harsh colors and thick layers of oil paint, sometimes applied with palette knives or spatulas. His most famous work, Christ’s Entry into Brussels (1889), incorporated his trademark style and depictions of fairground masks to satirize contemporary religion and politics in Belgium. In his early years, Ensor was a founder and leader of Les Vingt (The Twenty), a group whose goal was to promote new artistic developments in Europe, though they later rejected his work as it became more radical and extreme in subject and method. Ensor admired the works of Francisco Goya and J. M. W. Turner, and felt a particular affinity with their preoccupations with both light and violence.

Belgian, 1860-1949, Ostend, Belgium