Original etching and drypoint printed in black ink on laid paper bearing the “D & C Blauw” watermark.
Signed in the plate lower left J.J. Tissot.
A brilliant, richly inked and printed impression of the definitive state (in which the small black cat appears on the step in the background upper center) showing velvety burr throughout, from the edition of approximately 100. A plate from the album A Portfolio of Autograph Etchings, published by James R. Osgood and Company, Boston, 1881; printed by Goulding, London, 1881.
Catalog: Wentworth 54; Tissot 54; Beraldi 45.
Sheet Size: 12 ¾ x 19 ¼ inches
In excellent condition, printed on a sheet with wide margins.
About James Jacques-Joseph Tissot
In genre portraits of fashionable, high-society women in the late 1800s, James Jacques-Joseph Tissot captured the charmed elegance of his social world by documenting the costumes, decor, and events of the elite. A painter, printmaker, and enamelist, Tissot was a student of Hippolyte Flandrin and Louis Lamothe at the École des Beaux-Arts in Paris, but later relocated to London after fighting in the Franco-Prussian war, where a caricature gig at Vanity Fair granted him entry to the elite society that would ultimately define his subject matter. Upon meeting his wife and muse Kathleen Newton, Tissot drastically altered his lifestyle and subject matter to trade his social life for domesticity, and upon her death, a heartbroken Tissot returned to Paris with a subsequent interest in religion and spirituality that was reflected in his work thereafter.
French, 1836-1902, Nantes, France