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Spacemonkey (Pointing Fingers 1), 2019

Silkscreen in colors on paper
24 × 18 in
61 × 45.7 cm
Bidding closed
About the work
HA
Heritage Auctions

A.P. (aside from an edition of 50)

Published by the artist

Condition Report: No apparent condition …

Read more

A.P. (aside from an edition of 50)

Published by the artist

Condition Report: No apparent condition issues. Print is rolled. Unframed.

Medium
Print
Signature
Signed and numbered in pencil along lower edge
Image rights
Courtesy of Heritage Auctions
James Marshall (Dalek)
American, b. 1968
Follow

Merging animation, Japanese pop art, and an urban aesthetic, James Marshall is best known for his Space Monkey character—a strange, vaguely humanoid mouse that he would depict in an array of bright colors and twisted circumstances, often wielding a butcher’s cleaver. Working under the name Dalek, Marshall expressed his ideas through the Space Monkey character until 2007, when he began working in a purely abstract style. He has always been engaged in skateboard and graffiti subcultures, and Marshall cites his two-year assistantship in the studio of controversial Japanese artist Takashi Murakami as a formative experience.

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view
View in room
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About the work
HA
Heritage Auctions

A.P. (aside from an edition of 50)

Published by the artist

Condition Report: No apparent condition …

Read more

A.P. (aside from an edition of 50)

Published by the artist

Condition Report: No apparent condition issues. Print is rolled. Unframed.

Medium
Print
Signature
Signed and numbered in pencil along lower edge
Image rights
Courtesy of Heritage Auctions
James Marshall (Dalek)
American, b. 1968
Follow

Merging animation, Japanese pop art, and an urban aesthetic, James Marshall is best known for his Space Monkey character—a strange, vaguely humanoid mouse that he would depict in an array of bright colors and twisted circumstances, often wielding a butcher’s cleaver. Working under the name Dalek, Marshall expressed his ideas through the Space Monkey character until 2007, when he began working in a purely abstract style. He has always been engaged in skateboard and graffiti subcultures, and Marshall cites his two-year assistantship in the studio of controversial Japanese artist Takashi Murakami as a formative experience.

Spacemonkey (Pointing Fingers 1), 2019

Silkscreen in colors on paper
24 × 18 in
61 × 45.7 cm
Bidding closed
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