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James Ostrer

Overlooked, 2019

Enamel paint on canvas and gaffa tape
59 1/10 × 47 1/5 × 1 3/5 in
150 × 120 × 4 cm
This is a unique work.
Contact For Price
location
London , Berlin
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James Ostrer
British, b. 1979
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There’s something sinister about photographer James Ostrer’s candy-coated images. The artist uses his medium to explore the limits of contemporary body politics, desire, and consumption, such as in his series “Wotsit All About.” For this work, he created sickly sweet Leigh Bowery–like masks from sugary candy to investigate the contemporary appetite for excess, and to propose an iconography for a new tribe of human beings divorced from nature. He has approached the relationship to the body in different ways, such as in a series of self-portraits for which the artist hired prostitutes to direct him.

Save
Save
share
Share
Save
Save
share
Share
James Ostrer
British, b. 1979
Follow

There’s something sinister about photographer James Ostrer’s candy-coated images. The artist uses his medium to explore the limits of contemporary body politics, desire, and consumption, such as in his series “Wotsit All About.” For this work, he created sickly sweet Leigh Bowery–like masks from sugary candy to investigate the contemporary appetite for excess, and to propose an iconography for a new tribe of human beings divorced from nature. He has approached the relationship to the body in different ways, such as in a series of self-portraits for which the artist hired prostitutes to direct him.

James Ostrer

Overlooked, 2019

Enamel paint on canvas and gaffa tape
59 1/10 × 47 1/5 × 1 3/5 in
150 × 120 × 4 cm
This is a unique work.
Contact For Price
location
London , Berlin
Have a question? Read our FAQ.
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