James Rosenquist, ‘After Berlin V’, 1998, Print, Ten-color original lithograph on Heavy White wove paper, michael lisi / contemporary art
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James Rosenquist

After Berlin V, 1998

Ten-color original lithograph on Heavy White wove paper
32 3/4 × 37 1/8 in
83.2 × 94.3 cm
.
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michael lisi / contemporary art

In the permanent collections of the National Gallery of Art, Rhode Island Institute of Design …

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James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

James Rosenquist, ‘After Berlin V’, 1998, Print, Ten-color original lithograph on Heavy White wove paper, michael lisi / contemporary art
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michael lisi / contemporary art

In the permanent collections of the National Gallery of Art, Rhode Island Institute of Design museum and the Oklahoma State University Museum of Art, this large scale lithograph by James Rosenquist is part of a series the artist produced during this experimental period. This remarkable work features vividly colored, …

Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

James Rosenquist

After Berlin V, 1998

Ten-color original lithograph on Heavy White wove paper
32 3/4 × 37 1/8 in
83.2 × 94.3 cm
.
Contact For Price
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by James Rosenquist
Other works from michael lisi / contemporary art
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