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Aspen Jazz, 1967

Stone Lithograph
26 × 26 in
66 × 66 cm
This is ephemera, an artifact related to the artist.
Sold
location
Brooklyn
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
About the work
ArtWise
Brooklyn
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Special edition poster from festival held on Easter, March 26, 1967 that is now out of print.

Special edition poster from festival held on Easter, March 26, 1967 that is now out of print.

Medium
Print
Condition
A-: Near Mint, very light signs of handling
Signature
Not signed
Certificate of authenticity
Included
Frame
Not included
James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
ArtWise
Brooklyn
Follow

Special edition poster from festival held on Easter, March 26, 1967 that is now out of print.

Special edition poster from festival held on Easter, March 26, 1967 that is now out of print.

Medium
Print
Condition
A-: Near Mint, very light signs of handling
Signature
Not signed
Certificate of authenticity
Included
Frame
Not included
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Aspen Jazz, 1967

Stone Lithograph
26 × 26 in
66 × 66 cm
This is ephemera, an artifact related to the artist.
Sold
location
Brooklyn
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
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