James Rosenquist, ‘Caught One, Lost One, For the Fast Student’, 1989, Print, Lithograph with pressed paper pulp collage in fourteen colors on hand-colored TGL handmade paper, Meyerovich Gallery
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James Rosenquist

Caught One, Lost One, For the Fast Student, 1989

Lithograph with pressed paper pulp collage in fourteen colors on hand-colored TGL handmade paper
54 1/2 × 38 in
138.4 × 96.5 cm
Edition of 92
.
Sold
Location
San Francisco
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Meyerovich Gallery
San Francisco

James Rosenquist (b. 1933), a pioneer in the Pop Art movement, is known for using vibrant colors, …

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James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

James Rosenquist, ‘Caught One, Lost One, For the Fast Student’, 1989, Print, Lithograph with pressed paper pulp collage in fourteen colors on hand-colored TGL handmade paper, Meyerovich Gallery
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Meyerovich Gallery
San Francisco

James Rosenquist (b. 1933), a pioneer in the Pop Art movement, is known for using vibrant colors, depiction of shiny surfaces, and strong graphic details. This pressed paper lithograph collage “Caught One, Lost One, For the Fast Student” (54 x 38 inches) portrays a shiny cooking pot set against a background of the …

Medium
Signature
Signed by the artist
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

James Rosenquist

Caught One, Lost One, For the Fast Student, 1989

Lithograph with pressed paper pulp collage in fourteen colors on hand-colored TGL handmade paper
54 1/2 × 38 in
138.4 × 96.5 cm
Edition of 92
.
Sold
Location
San Francisco
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by James Rosenquist
Other works from Meyerovich Gallery
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