James Rosenquist, ‘Crosshatch and Mutations’, 1986, Upsilon Gallery
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Crosshatch and Mutations, 1986

Monoprint and lithograph in colors with collage, on T.H. Saunders HP drawing paper and Arches 88 paper
42 1/4 × 51 1/4 in
107.3 × 130.2 cm
Edition of 29
This is part of a limited edition set.
$15,000 - 20,000
Location
New York, London
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Print
Signature
Signed, titled, dated and numbered in pencil
Publisher
Graphicstudio, University of South Florida, Tampa
Price ranges of large prints by James Rosenquist
Learn more
More info
Browse works in this category
$19,500–$21,000
This work
$0
$31,500+
James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

James Rosenquist, ‘Crosshatch and Mutations’, 1986, Upsilon Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Print
Signature
Signed, titled, dated and numbered in pencil
Publisher
Graphicstudio, University of South Florida, Tampa
Price ranges of large prints by James Rosenquist
Learn more
More info
Browse works in this category
$19,500–$21,000
This work
$0
$31,500+
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Crosshatch and Mutations, 1986

Monoprint and lithograph in colors with collage, on T.H. Saunders HP drawing paper and Arches 88 paper
42 1/4 × 51 1/4 in
107.3 × 130.2 cm
Edition of 29
This is part of a limited edition set.
$15,000 - 20,000
Location
New York, London
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by James Rosenquist
Other works from Upsilon Gallery