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Katonah Muse, 1993

Offset lithograph in colors, on wove paper, the full sheet
27 1/2 × 21 3/10 in
69.9 × 54 cm
Edition 39/100
This is part of a limited edition set.
Bidding closed
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About the work
P
Phillips

Framed

Framed

Signature
Signed, titled, dated and numbered 39/100 in pencil
Publisher
Tyler Graphics, Ltd. Mount Kisco, New York (with their blindstamp)
James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
P
Phillips

Framed

Framed

Signature
Signed, titled, dated and numbered 39/100 in pencil
Publisher
Tyler Graphics, Ltd. Mount Kisco, New York (with their blindstamp)
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Katonah Muse, 1993

Offset lithograph in colors, on wove paper, the full sheet
27 1/2 × 21 3/10 in
69.9 × 54 cm
Edition 39/100
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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