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Katonah Muse, 1993

Offset lithograph in colors on paper
26 3/4 × 19 1/4 in
67.9 × 48.9 cm
Bidding closed
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About the work
HA
Heritage Auctions

A.P. 1/20 (aside from an edition of 100)

Published by Tyler Graphics Ltd., Mt. Kisco, New York

Read more

A.P. 1/20 (aside from an edition of 100)

Published by Tyler Graphics Ltd., Mt. Kisco, New York

Condition Reports: Time staining;verso; hard crease to the center right extreme edge. Print Grade: 8/10. Print is rolled. Unframed

Medium
Print
Signature
Signed, numbered, dated, and titled in pencil along lower edge
Image rights
Courtesy of Heritage Auctions
James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

navigate left
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Save
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view
View in room
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Save
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view
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About the work
HA
Heritage Auctions

A.P. 1/20 (aside from an edition of 100)

Published by Tyler Graphics Ltd., Mt. Kisco, New York

Read more

A.P. 1/20 (aside from an edition of 100)

Published by Tyler Graphics Ltd., Mt. Kisco, New York

Condition Reports: Time staining;verso; hard crease to the center right extreme edge. Print Grade: 8/10. Print is rolled. Unframed

Medium
Print
Signature
Signed, numbered, dated, and titled in pencil along lower edge
Image rights
Courtesy of Heritage Auctions
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Katonah Muse, 1993

Offset lithograph in colors on paper
26 3/4 × 19 1/4 in
67.9 × 48.9 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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