James Rosenquist, ‘Sun Sets On The Time Zone (Glenn 216)’, 1989, Doyle
James Rosenquist, ‘Sun Sets On The Time Zone (Glenn 216)’, 1989, Doyle
James Rosenquist, ‘Sun Sets On The Time Zone (Glenn 216)’, 1989, Doyle

signed, titled and dated and numbered 45/47 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Sheet: 79 x 58 inches; 2007 x 1473 mm.

Condition: In apparently good condition, unexamined out of the frame.

Estate of Barbara Rubin

About James Rosenquist

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

American, 1933-2017, Grand Forks, North Dakota, based in Aripeka, Florida

Exhibition Highlights

2015
Galerie Thaddaeus Ropac, 
Paris-Pantin,
2015
DeChant Art Consulting, 
Bratenahl,
From an Art Consultant's Eye