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Ten Days, 1973

Screenprint in colours
9 × 12 in
22.9 × 30.5 cm
Edition of 300
Bidding closed
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About the work
FA
Forum Auctions

signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed by Styria …

Read more

signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios Inc., New York, published by Experiments in Art and Technology, Inc., New York, the full sheet 229 x 305mm (9 x 12in) (unframed)

Medium
Print
James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

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Save
view
View in room
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Save
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view
View in room
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About the work
FA
Forum Auctions

signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed by Styria …

Read more

signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios Inc., New York, published by Experiments in Art and Technology, Inc., New York, the full sheet 229 x 305mm (9 x 12in) (unframed)

Medium
Print
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Ten Days, 1973

Screenprint in colours
9 × 12 in
22.9 × 30.5 cm
Edition of 300
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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