James Rosenquist, ‘Ten Days (from The New York Collection for Stockholm)’, 1973, Rago/Wright
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Ten Days (from The New York Collection for Stockholm), 1973

Color lithograph on paper
9 × 12 in
22.9 × 30.5 cm
Edition 235/300
This is part of a limited edition set.
Bidding closed
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About the work
RW
Rago/Wright

This work is number 235 from the edition of 300 printed by Styria Studio, New York.

Medium
Print
Signature
Signed, titled, dated and numbered to lower edge '235/300 Ten Days Rosenquist 1973'.
James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

James Rosenquist, ‘Ten Days (from The New York Collection for Stockholm)’, 1973, Rago/Wright
Save
Save
View
View in room
Share
Share
About the work
RW
Rago/Wright

This work is number 235 from the edition of 300 printed by Styria Studio, New York.

Medium
Print
Signature
Signed, titled, dated and numbered to lower edge '235/300 Ten Days Rosenquist 1973'.
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Ten Days (from The New York Collection for Stockholm), 1973

Color lithograph on paper
9 × 12 in
22.9 × 30.5 cm
Edition 235/300
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by James Rosenquist
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