James Rosenquist, ‘Woman in the Sun’, 1991, Phillips

Framed

Signature: Signed, dated, titled and annotated 'printers proof I' in pencil (the edition was 60 and 20 artist's proofs)

Publisher: Tyler Graphics Ltd., Mount Kisco, New York (with their blindstamp)

Constance Glenn 225

About James Rosenquist

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

American, 1933-2017, Grand Forks, North Dakota, based in Aripeka, Florida

Exhibition Highlights

2015
Galerie Thaddaeus Ropac, 
Paris-Pantin,
2015
DeChant Art Consulting, 
Bratenahl,
From an Art Consultant's Eye