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Zone, 1972

Lithograph, on Hodgkinson handmade paper, with full margins,
31 × 30 in
78.7 × 76.2 cm
Edition 30/66 + 10AP
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
P
Phillips

Image: 27 7/8 x 28 1/4 in. (70.8 x 71.8 cm)
Sheet: 31 x 30 in. (78.7 x 76.2 cm)
Unframed

Image: 27 7/8 x 28 1/4 in. (70.8 x 71.8 cm)
Sheet: 31 x 30 in. (78.7 x 76.2 cm)
Unframed

Signature
Signed, titled, dated `1972', numbered 30/66 in pencil (there were also 10 artist's proofs)
Publisher
Petersburg Press, London
James Rosenquist
American, 1933–2017
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Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Bibliography
P
Phillips

Image: 27 7/8 x 28 1/4 in. (70.8 x 71.8 cm)
Sheet: 31 x 30 in. (78.7 x 76.2 cm)
Unframed

Image: 27 7/8 x 28 1/4 in. (70.8 x 71.8 cm)
Sheet: 31 x 30 in. (78.7 x 76.2 cm)
Unframed

Signature
Signed, titled, dated `1972', numbered 30/66 in pencil (there were also 10 artist's proofs)
Publisher
Petersburg Press, London
James Rosenquist
American, 1933–2017
Follow

Leading Pop artist James Rosenquist—who came to prominence among New York School figures like Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, and Willem de Kooning—is well known for his large-scale, fragmented works that bring the visual language of commercial painting onto canvas (notably, from 1957-60, Rosenquist earned his living as a billboard painter). In his use of mass-produced goods and vernacular culture rendered in an anonymous style, Rosenquist's work recalls that of Andy Warhol, while his seemingly irrational, mysterious pictorial combinations owe a debt to Surrealism. His breakthrough work, the iconic F-111 (1965)—51 panels that total over 22 by 24 feet—juxtaposes an American fighter plane with a Firestone tire, garish orange tinned spaghetti, and a young girl under a hair dryer.

Zone, 1972

Lithograph, on Hodgkinson handmade paper, with full margins,
31 × 30 in
78.7 × 76.2 cm
Edition 30/66 + 10AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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