Jan De Cock, ‘Construction Module Tate Modern M8-D53-14022005 C’, 2005, Deweer Gallery

Coup de Ville 2013 - Attracted by another level, Sint Niklaas, several locations, BE, 2013

About Jan De Cock

Jan De Cock borrows a film vocabulary in discussing his photography and installation works—particularly durée (passage of time) and mise-en-scène (staging for a camera), for describing the way his pieces frame and tell stories. De Cock commonly photographs landscapes and architecture, then displays the images as single frames of a larger sequence in conjunction with archival images, furniture, or architectural constructions made of plywood. As part of his interest in constructing historical narratives, he publishes artist’s books as indexes for his projects. De Cock’s compositions have a stripped-down quality that variously references Piet Mondrian’s paintings and Umberto Boccioni’s Futurist sculptures. “To me, Modernism is the most important period in art history,” he once said. “Dare I say that Post-Modernism did not exist?”

Belgian, b. 1976, Brussels, Belgium, based in Brussels, Belgium