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Janice Biala

Untitled (Peonies in Red Vase), 1976

Pencil and colored Crayons on paper
4 5/8 × 4 in
11.7 × 10.2 cm
This is a unique work.
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About the work
SFF
Sigrid Freundorfer Fine Art
New York
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Matted and framed size: 11.625 x 10.625 inches

Matted and framed size: 11.625 x 10.625 inches

Signature
Signed "Biala" lower right; Dated "1976" lower right
Janice Biala
Polish-American, 1903–2000
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Janice Biala, Jack Tworkov’s sister who frequently went just by the name Biala, contributed to the shaping of modernism with her paintings of interiors, portraits, and scenes from her travels through France, Spain, Italy, and Morocco. From Provincetown to Marrakech, Biala captured the unique light of each city as she rendered its signature landmarks in bold, simplified shapes, as in the semi-abstracted trees in her depiction of the Tuileries in Paris (Jardin du Palais Royal, 1972). In its flatness of color, Biala’s work recalls that of Henri Matisse, yet it also posseses a painterly directness reminiscent of the Abstract Expressionists. As such, Biala has been said to synthesize the styles popular in the circles she orbited—the early 20th-century Parisian avant-garde and the mid-century New York School.

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About the work
SFF
Sigrid Freundorfer Fine Art
New York
Follow

Matted and framed size: 11.625 x 10.625 inches

Matted and framed size: 11.625 x 10.625 inches

Signature
Signed "Biala" lower right; Dated "1976" lower right
Janice Biala
Polish-American, 1903–2000
Follow

Janice Biala, Jack Tworkov’s sister who frequently went just by the name Biala, contributed to the shaping of modernism with her paintings of interiors, portraits, and scenes from her travels through France, Spain, Italy, and Morocco. From Provincetown to Marrakech, Biala captured the unique light of each city as she rendered its signature landmarks in bold, simplified shapes, as in the semi-abstracted trees in her depiction of the Tuileries in Paris (Jardin du Palais Royal, 1972). In its flatness of color, Biala’s work recalls that of Henri Matisse, yet it also posseses a painterly directness reminiscent of the Abstract Expressionists. As such, Biala has been said to synthesize the styles popular in the circles she orbited—the early 20th-century Parisian avant-garde and the mid-century New York School.

Janice Biala

Untitled (Peonies in Red Vase), 1976

Pencil and colored Crayons on paper
4 5/8 × 4 in
11.7 × 10.2 cm
This is a unique work.
Contact For Price
Have a question? Read our FAQ.
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Other works from Sigrid Freundorfer Fine Art
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