Medium

Using canonical and amateur parochial artworks as source material, Jason Brooks crops and reproduces existing paintings in order to develop a nonlinear art-historical tradition rooted in form and color, rather than chronology. He considers Gustave Courbet’s L’origine du monde to be the first modern painting, in part because of its cropping, and references it in his “Origins” series, which seeks to better understand the tenets of abstract painting. Brooks most commonly works with an airbrush to produce hyperreal portraits and abstract canvases. Whereas airbrushing is typically used to erase imperfections, Brooks uses it to celebrate the nuances and markings of an individual. His “Ultraflesh” series of visceral, swirling impasto is also created with an airbrush—appearing three-dimensional from afar, yet revealing itself to be flat—raising questions surrounding illusion and reality.

Established
Represented by industry leading galleries.
Selected exhibitions
2021
Marlborough London at Masterpiece London 2021Marlborough London
2018
Marlborough London at London Original Print Fair 2018Marlborough London
Jason Brooks: The Subject Is Not The SubjectMarlborough London
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Kate (working title), 2013

Acrylic on canvas
70 × 100 in
177.8 × 254 cm
Location
London
Medium

Using canonical and amateur parochial artworks as source material, Jason Brooks crops and reproduces existing paintings in order to develop a nonlinear art-historical tradition rooted in form and color, rather than chronology. He considers Gustave Courbet’s L’origine du monde to be the first modern painting, in part because of its cropping, and references it in his “Origins” series, which seeks to better understand the tenets of abstract painting. Brooks most commonly works with an airbrush to produce hyperreal portraits and abstract canvases. Whereas airbrushing is typically used to erase imperfections, Brooks uses it to celebrate the nuances and markings of an individual. His “Ultraflesh” series of visceral, swirling impasto is also created with an airbrush—appearing three-dimensional from afar, yet revealing itself to be flat—raising questions surrounding illusion and reality.

Established
Represented by industry leading galleries.
Selected exhibitions (3)
Related artists
Michelle Rogers
Blair Mclaughlin