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Time Compression Keeps Me Coming Back For Me, 2016

Acrylic on maple
32 3/4 × 34 3/4 in
83.2 × 88.3 cm
Unique
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location
Austin
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Jason Middlebrook
American, b. 1966
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Jason Middlebrook imbues natural forms and found objects with references to the foremost abstractionists of the 20th century. He is best known for the carved and hewn tree trunks he uses as canvases for geometric composition, variously referencing works by Ellsworth Kelly, Bridget Riley, or Frank Stella—a jarring yet elegant juxtaposition of natural unpredictability with rigidly calculated forms. Middlebrook has also turned concrete-cast bottles into corner-spill assemblages, and crafted mobiles of wooden scraps that pay explicit homage to the seminal works of Alexander Calder.

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Save
view
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Save
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view
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Jason Middlebrook
American, b. 1966
Follow

Jason Middlebrook imbues natural forms and found objects with references to the foremost abstractionists of the 20th century. He is best known for the carved and hewn tree trunks he uses as canvases for geometric composition, variously referencing works by Ellsworth Kelly, Bridget Riley, or Frank Stella—a jarring yet elegant juxtaposition of natural unpredictability with rigidly calculated forms. Middlebrook has also turned concrete-cast bottles into corner-spill assemblages, and crafted mobiles of wooden scraps that pay explicit homage to the seminal works of Alexander Calder.

Time Compression Keeps Me Coming Back For Me, 2016

Acrylic on maple
32 3/4 × 34 3/4 in
83.2 × 88.3 cm
Unique
Contact For Price
location
Austin
Have a question? Read our FAQ.
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