Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

We are in a Deep Hole Now, 2016

Acrylic on maple
26 × 34 × 1 in
66 × 86.4 × 2.5 cm
Contact For Price
location
New York
Have a question? Read our FAQ.
Jason Middlebrook
American, b. 1966
Follow

Jason Middlebrook imbues natural forms and found objects with references to the foremost abstractionists of the 20th century. He is best known for the carved and hewn tree trunks he uses as canvases for geometric composition, variously referencing works by Ellsworth Kelly, Bridget Riley, or Frank Stella—a jarring yet elegant juxtaposition of natural unpredictability with rigidly calculated forms. Middlebrook has also turned concrete-cast bottles into corner-spill assemblages, and crafted mobiles of wooden scraps that pay explicit homage to the seminal works of Alexander Calder.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
Jason Middlebrook
American, b. 1966
Follow

Jason Middlebrook imbues natural forms and found objects with references to the foremost abstractionists of the 20th century. He is best known for the carved and hewn tree trunks he uses as canvases for geometric composition, variously referencing works by Ellsworth Kelly, Bridget Riley, or Frank Stella—a jarring yet elegant juxtaposition of natural unpredictability with rigidly calculated forms. Middlebrook has also turned concrete-cast bottles into corner-spill assemblages, and crafted mobiles of wooden scraps that pay explicit homage to the seminal works of Alexander Calder.

We are in a Deep Hole Now, 2016

Acrylic on maple
26 × 34 × 1 in
66 × 86.4 × 2.5 cm
Contact For Price
location
New York
Have a question? Read our FAQ.
Other works from Jason Middlebrook
Other works by Jason Middlebrook
Other works from Miles McEnery Gallery