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Medium

Jason Middlebrook imbues natural forms and found objects with references to the foremost abstractionists of the 20th century. He is best known for the carved and hewn tree trunks he uses as canvases for geometric composition, variously referencing works by Ellsworth Kelly, Bridget Riley, or Frank Stella—a jarring yet elegant juxtaposition of natural unpredictability with rigidly calculated forms. Middlebrook has also turned concrete-cast bottles into corner-spill assemblages, and crafted mobiles of wooden scraps that pay explicit homage to the seminal works of Alexander Calder.

Established
Represented by industry leading galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2021
Jason Middlebrook: Twenty-Eight SkiesLora Reynolds Gallery
2019
At The End Of The DayGallery 16
Jason MiddlebrookMiles McEnery Gallery
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Western Cover, 2014

Acrylic and ink on paper
22 × 30 in
55.9 × 76.2 cm
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Location
Austin
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Medium

Jason Middlebrook imbues natural forms and found objects with references to the foremost abstractionists of the 20th century. He is best known for the carved and hewn tree trunks he uses as canvases for geometric composition, variously referencing works by Ellsworth Kelly, Bridget Riley, or Frank Stella—a jarring yet elegant juxtaposition of natural unpredictability with rigidly calculated forms. Middlebrook has also turned concrete-cast bottles into corner-spill assemblages, and crafted mobiles of wooden scraps that pay explicit homage to the seminal works of Alexander Calder.

Established
Represented by industry leading galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by Jason Middlebrook
Other works from Lora Reynolds Gallery
Related artists