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Jasper Johns

Land’s End, 1979

Lithograph, on Kurotani paper, the full sheet
52 × 36 2/5 in
132.1 × 92.4 cm
Edition 64/70 + 12AP
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
P
Phillips

Property from a Private Canadian Collection

Framed

Property from a Private Canadian Collection

Framed

Signature
Signed and numbered 64/70 in pencil (there were also 12 artist's proofs)
Publisher
Gemini G.E.L., Los Angeles (with their blindstamps)
Jasper Johns
American, b. 1930
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Jasper Johns's ongoing stylistic and technical experimentation place him at the forefront of American art. His richly textured paintings of maps, flags, numbers, and targets laid the groundwork for Pop art, Minimalism, and Conceptual art. In New York in the 1950s, Johns was part of a community of artists, including Robert Rauschenberg, seeking an alternative to the emotional nature of Abstract Expressionism. Influenced by Marcel Duchamp, Johns's early work paired the concerns of craft with familiar concrete imagery. His interest in process also led to innovations in lithography, screen-printing, etching and woodblock, using such materials as pencil, pen, brush, crayon, wax, and plaster to constantly challenge the technical possibilities of printmaking.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
P
Phillips

Property from a Private Canadian Collection

Framed

Property from a Private Canadian Collection

Framed

Signature
Signed and numbered 64/70 in pencil (there were also 12 artist's proofs)
Publisher
Gemini G.E.L., Los Angeles (with their blindstamps)
Jasper Johns
American, b. 1930
Follow

Jasper Johns's ongoing stylistic and technical experimentation place him at the forefront of American art. His richly textured paintings of maps, flags, numbers, and targets laid the groundwork for Pop art, Minimalism, and Conceptual art. In New York in the 1950s, Johns was part of a community of artists, including Robert Rauschenberg, seeking an alternative to the emotional nature of Abstract Expressionism. Influenced by Marcel Duchamp, Johns's early work paired the concerns of craft with familiar concrete imagery. His interest in process also led to innovations in lithography, screen-printing, etching and woodblock, using such materials as pencil, pen, brush, crayon, wax, and plaster to constantly challenge the technical possibilities of printmaking.

Jasper Johns

Land’s End, 1979

Lithograph, on Kurotani paper, the full sheet
52 × 36 2/5 in
132.1 × 92.4 cm
Edition 64/70 + 12AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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