Jasper Johns, ‘Untitled I (ULAE 171)’, 1976, Joseph K. Levene Fine Art, Ltd.
Jasper Johns, ‘Untitled I (ULAE 171)’, 1976, Joseph K. Levene Fine Art, Ltd.
Jasper Johns, ‘Untitled I (ULAE 171)’, 1976, Joseph K. Levene Fine Art, Ltd.

http://www.josephklevenefineartltd.com/NewSite/Jasper-Johns-Untitled-1.htm

Series: Crosshatch

Signature: Signed & dated in pencil "J Johns 76" lower right. Numbered in pencil lower left.

Richard Field, The Prints of Jasper Johns 1960-1993: A Catalogue Raisonne, ULAE, New York, 1994, Catalogue Reference ULAE 171, n.p., reproduced in full-page color, another impression reproduced.

About Jasper Johns

Jasper Johns's ongoing stylistic and technical experimentation place him at the forefront of American art. His richly textured paintings of maps, flags, numbers, and targets laid the groundwork for Pop art, Minimalism, and Conceptual art. In New York in the 1950s, Johns was part of a community of artists, including Robert Rauschenberg, seeking an alternative to the emotional nature of Abstract Expressionism. Influenced by Marcel Duchamp, Johns's early work paired the concerns of craft with familiar concrete imagery. His interest in process also led to innovations in lithography, screen-printing, etching and woodblock, using such materials as pencil, pen, brush, crayon, wax, and plaster to constantly challenge the technical possibilities of printmaking.

American, b. 1930, Augusta, Georgia, based in New York, New York