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Jean Dubuffet, ‘Arabe et Désert’, Christie's
Jean Dubuffet, ‘Arabe et Désert’, Christie's
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Jean Dubuffet

Arabe et Désert

Gouache on paper
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About the work
Bibliography
Provenance
C
Christie's

Jean Dubuffet (1901-1985)

Arabe et Désert

signed and dated 'J. Dubuffet 48' (upper right)

Jean Dubuffet (1901-1985)

Arabe et Désert

signed and dated 'J. Dubuffet 48' (upper right)

gouache on paper

15 5/8 x 20 3/8 in. (39.7 x 51.7 cm.)

Painted in 1948.

Signature
Signed and dated 'J. Dubuffet 48' (upper right)
Jean Dubuffet
French, 1901–1985
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In his seminal modernist paintings, Jean Dubuffet delved deep into questions of ground and materiality. Such themes were highly charged during the post–WWII period in which he worked, shortly after the destruction of many European cities as well as the Japanese cities of Hiroshima and Nagasaki in the war. The surfaces of his canvases are thick and clotted; their aesthetic is muddy and scatological. Dubuffet coined the term “Art Brut” to describe the kind of work that he collected and aspired toward: the untrained, outsider art of alienated groups, including children and the mentally ill. His own paintings are purposefully “deskilled,” often possessing the spontaneity and crude aesthetic of finger paintings.

Jean Dubuffet, ‘Arabe et Désert’, Christie's
Jean Dubuffet, ‘Arabe et Désert’, Christie's
Save
Save
Share
Share
Save
Save
Share
Share
About the work
Bibliography
Provenance
C
Christie's

Jean Dubuffet (1901-1985)

Arabe et Désert

signed and dated 'J. Dubuffet 48' (upper right)

Jean Dubuffet (1901-1985)

Arabe et Désert

signed and dated 'J. Dubuffet 48' (upper right)

gouache on paper

15 5/8 x 20 3/8 in. (39.7 x 51.7 cm.)

Painted in 1948.

Signature
Signed and dated 'J. Dubuffet 48' (upper right)
Jean Dubuffet
French, 1901–1985
Follow

In his seminal modernist paintings, Jean Dubuffet delved deep into questions of ground and materiality. Such themes were highly charged during the post–WWII period in which he worked, shortly after the destruction of many European cities as well as the Japanese cities of Hiroshima and Nagasaki in the war. The surfaces of his canvases are thick and clotted; their aesthetic is muddy and scatological. Dubuffet coined the term “Art Brut” to describe the kind of work that he collected and aspired toward: the untrained, outsider art of alienated groups, including children and the mentally ill. His own paintings are purposefully “deskilled,” often possessing the spontaneity and crude aesthetic of finger paintings.

Jean Dubuffet

Arabe et Désert

Gouache on paper
Want to sell a work by this artist? Consign with Artsy.
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