Jean Dubuffet, ‘Paysage désorienté’, 7, Galerie Zlotowski

Signature: Signed and dated ''J Dubuffet 57 ''on the right corner; signed, titled, and dated at the back with this number EN682

LOREAU Max, Catalogue des travaux de Jean Dubuffet. Fascicule XIII : Célébration du sol I lieux cursifs, texturologies, topographies, Weber Editeur, 1969, n° 52, p. 41.

Arnold Herstand Gallery, New York
Collection privée, USA depuis 1986

About Jean Dubuffet

In his seminal modernist paintings, Jean Dubuffet delved deep into questions of ground and materiality. Such themes were highly charged during the post–WWII period in which he worked, shortly after the destruction of many European cities as well as the Japanese cities of Hiroshima and Nagasaki in the war. The surfaces of his canvases are thick and clotted; their aesthetic is muddy and scatological. Dubuffet coined the term “Art Brut” to describe the kind of work that he collected and aspired toward: the untrained, outsider art of alienated groups, including children and the mentally ill. His own paintings are purposefully “deskilled,” often possessing the spontaneity and crude aesthetic of finger paintings.

French, 1901-1985, Le Havre, France, based in Paris, France