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Jean-Michel Basquiat, ‘"AREA-Halloween", Party Poster, ca.1980's, AREA Nightclub NYC.’, ca.1980's, VINCE fine arts/ephemera
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"AREA-Halloween", Party Poster, ca.1980's, AREA Nightclub NYC., ca.1980's

Print on paper
34 1/2 × 23 in
87.6 × 58.4 cm
Unique
This is ephemera, an artifact related to the artist.
$1,750
Ships from MIAMI, FL, US
Free shipping worldwide
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
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About the work
Provenance
VINCE fine arts/ephemera

"AREA-Halloween, Poster, ca.1980's, AREA Nightclub NYC, Designed by Serge Becker, 34.5 x …

Medium
Print
Signature
Not Signed , not signed
Certificate of authenticity
Included
Frame
Not included
Publisher
AREA Nightclub NYC.
Jean-Michel Basquiat
American, 1960–1988
Follow

A poet, musician, and graffiti prodigy in late-1970s New York, Jean-Michel Basquiat had honed his signature painting style of obsessive scribbling, elusive symbols and diagrams, and mask-and-skull imagery by the time he was 20. “I don’t think about art while I work,” he once said. “I think about life.” Basquiat drew his subjects from his own Caribbean heritage—his father was Haitian and his mother of Puerto Rican descent—and a convergence of African-American, African, and Aztec cultural histories with Classical themes and contemporary heroes like athletes and musicians. Often associated with Neo-expressionism, Basquiat received massive acclaim in only a few short years, showing alongside artists like Julian Schnabel, David Salle, and Francesco Clemente. In 1983, he met Andy Warhol, who would come to be a mentor and idol. The two collaborated on a series of paintings before Warhol’s death in 1987, followed by Basquiat’s own untimely passing a year later.

Andy Warhol
American, 1928–1987
Follow

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Jon Schueler
American, 1916–1992
Follow

A second-generation Abstract Expressionist, Jon Schueler became known for colorful, non-representational paintings in the 1950s, as exemplified by Umber on Orange and Red (1951), an explosion of richly hued gestural brushstrokes. Later, however, a small fishing village in Scotland where he rented a house would inspire him to turn to pastoral paintings, while maintaining his painterly style. In these, Schueler’s wonder at the “brooding, storm-ridden sky” is evident, as the heavens became the focal point of many paintings. For instance, the golden-hued sky in Driven by the Storm (1989) characteristically exudes a sense of motion and conveys nature’s unpredictability. “I’m painting the dream of nature, not nature itself,” he says, explaining his joyful-yet-turbulent canvases that probe memory and psychology as well as natural phenomena.

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Jean-Michel Basquiat, ‘"AREA-Halloween", Party Poster, ca.1980's, AREA Nightclub NYC.’, ca.1980's, VINCE fine arts/ephemera
Navigate right
Save
Save
View
View in room
Share
Share
About the work
Provenance
VINCE fine arts/ephemera

"AREA-Halloween, Poster, ca.1980's, AREA Nightclub NYC, Designed by Serge Becker, 34.5 x 23 in.
Condition:
Excellent- slight tears at edge (see pics).
Provenance:
Private Collection, NY

Medium
Print
Signature
Not Signed , not signed
Certificate of authenticity
Included
Frame
Not included
Publisher
AREA Nightclub NYC.
Jean-Michel Basquiat
American, 1960–1988
Follow

A poet, musician, and graffiti prodigy in late-1970s New York, Jean-Michel Basquiat had honed his signature painting style of obsessive scribbling, elusive symbols and diagrams, and mask-and-skull imagery by the time he was 20. “I don’t think about art while I work,” he once said. “I think about life.” Basquiat drew his subjects from his own Caribbean heritage—his father was Haitian and his mother of Puerto Rican descent—and a convergence of African-American, African, and Aztec cultural histories with Classical themes and contemporary heroes like athletes and musicians. Often associated with Neo-expressionism, Basquiat received massive acclaim in only a few short years, showing alongside artists like Julian Schnabel, David Salle, and Francesco Clemente. In 1983, he met Andy Warhol, who would come to be a mentor and idol. The two collaborated on a series of paintings before Warhol’s death in 1987, followed by Basquiat’s own untimely passing a year later.

Andy Warhol
American, 1928–1987
Follow

Obsessed with celebrity, consumer culture, and mechanical (re)production, Pop artist Andy Warhol created some of the most iconic images of the 20th century. As famous for his quips as for his art—he variously mused that “art is what you can get away with” and “everyone will be famous for 15 minutes”—Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. Known for his cultivation of celebrity, Factory studio (a radical social and creative melting pot), and avant-garde films like Chelsea Girls (1966), Warhol was also a mentor to artists like Keith Haring and Jean-Michel Basquiat. His Pop sensibility is now standard practice, taken up by major contemporary artists Richard Prince, Takashi Murakami, and Jeff Koons, among countless others.

Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Jon Schueler
American, 1916–1992
Follow

A second-generation Abstract Expressionist, Jon Schueler became known for colorful, non-representational paintings in the 1950s, as exemplified by Umber on Orange and Red (1951), an explosion of richly hued gestural brushstrokes. Later, however, a small fishing village in Scotland where he rented a house would inspire him to turn to pastoral paintings, while maintaining his painterly style. In these, Schueler’s wonder at the “brooding, storm-ridden sky” is evident, as the heavens became the focal point of many paintings. For instance, the golden-hued sky in Driven by the Storm (1989) characteristically exudes a sense of motion and conveys nature’s unpredictability. “I’m painting the dream of nature, not nature itself,” he says, explaining his joyful-yet-turbulent canvases that probe memory and psychology as well as natural phenomena.

"AREA-Halloween", Party Poster, ca.1980's, AREA Nightclub NYC., ca.1980's

Print on paper
34 1/2 × 23 in
87.6 × 58.4 cm
Unique
This is ephemera, an artifact related to the artist.
$1,750
Ships from MIAMI, FL, US
Free shipping worldwide
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Want to sell a work by these artists? Consign with Artsy.
Series by this artist
Other works from ARTephemera (1930-present)
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