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Jean-Michel Basquiat, ‘Diagram of the Ankle (The Ankle)’, 1982, Yale University Art Gallery
Jean-Michel Basquiat, ‘Diagram of the Ankle (The Ankle)’, 1982, Yale University Art Gallery
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Diagram of the Ankle (The Ankle), 1982

Xeroxed paper, canvas, oil stick, and acrylic on hinged panels
60 × 120 in
152.4 × 304.801 cm
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About the work
Medium
Painting
Image rights
Image provided by Yale University Art Gallery / © Jean-Michel Basquiat / Artists Rights Society (ARS), New York
Jean-Michel Basquiat
American, 1960–1988
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A poet, musician, and graffiti prodigy in late-1970s New York, Jean-Michel Basquiat had honed his signature painting style of obsessive scribbling, elusive symbols and diagrams, and mask-and-skull imagery by the time he was 20. “I don’t think about art while I work,” he once said. “I think about life.” Basquiat drew his subjects from his own Caribbean heritage—his father was Haitian and his mother of Puerto Rican descent—and a convergence of African-American, African, and Aztec cultural histories with Classical themes and contemporary heroes like athletes and musicians. Often associated with Neo-expressionism, Basquiat received massive acclaim in only a few short years, showing alongside artists like Julian Schnabel, David Salle, and Francesco Clemente. In 1983, he met Andy Warhol, who would come to be a mentor and idol. The two collaborated on a series of paintings before Warhol’s death in 1987, followed by Basquiat’s own untimely passing a year later.

Jean-Michel Basquiat, ‘Diagram of the Ankle (The Ankle)’, 1982, Yale University Art Gallery
Jean-Michel Basquiat, ‘Diagram of the Ankle (The Ankle)’, 1982, Yale University Art Gallery
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Medium
Painting
Image rights
Image provided by Yale University Art Gallery / © Jean-Michel Basquiat / Artists Rights Society (ARS), New York
Jean-Michel Basquiat
American, 1960–1988
Follow

A poet, musician, and graffiti prodigy in late-1970s New York, Jean-Michel Basquiat had honed his signature painting style of obsessive scribbling, elusive symbols and diagrams, and mask-and-skull imagery by the time he was 20. “I don’t think about art while I work,” he once said. “I think about life.” Basquiat drew his subjects from his own Caribbean heritage—his father was Haitian and his mother of Puerto Rican descent—and a convergence of African-American, African, and Aztec cultural histories with Classical themes and contemporary heroes like athletes and musicians. Often associated with Neo-expressionism, Basquiat received massive acclaim in only a few short years, showing alongside artists like Julian Schnabel, David Salle, and Francesco Clemente. In 1983, he met Andy Warhol, who would come to be a mentor and idol. The two collaborated on a series of paintings before Warhol’s death in 1987, followed by Basquiat’s own untimely passing a year later.

Diagram of the Ankle (The Ankle), 1982

Xeroxed paper, canvas, oil stick, and acrylic on hinged panels
60 × 120 in
152.4 × 304.801 cm
Want to sell a work by this artist? Consign with Artsy.
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