Jean-Paul Riopelle, ‘Épiphanie’, 1957, Canadian Art Group

Image rights: SODRAC Succession Riopelle (2017)

Riopelle: Svensk-Franska Konstgalleriet, Stockholm, February 1959.
J-P. Riopelle: Paintings 1949 -1959, Arthur Tooth & Sons Ltd, June - July 1959.

J-P. Riopelle: Paintings 1949 -1959, Arthur Tooth & Sons Ltd. exhibition catalogue 1959, #6.
Free abstraction: London Times, June 29th.1959, p.3.
Jean-Paul Riopelle,Yseult Riopelle, Catalogue Raisonné, Vol. 2, #1958.103H.1957-1958, p. 311.

Svensk-Franska Konstgalleriet, Stockholm
Arthur Tooth & Sons Ltd., London
Galerie Bernard Desroches, Montreal
Private collection, Toronto.

About Jean-Paul Riopelle

The only Canadian artist involved with the seminal post-World War II School of Paris, Jean-Paul Riopelle was in dialogue with artists such as Alberto Giacometti, Joan Miró, and André Breton when he made his surrealism-inspired, abstract paintings. Riopelle employed a tachiste style, which he achieved by applying oil paint in thick, demonstrative strokes with palette knives. He also worked with gouache, watercolor, and ink and experimented with bronze sculpture. When pop art and nouveau réalisme became popular in the 1960s, Riopelle introduced representational elements back into his work. These later paintings have been described as “abstract landscapism.” Later in his life, Riopelle also incorporated figuration and multimedia components into his signature gestural paintings.

Canadian, 1923-2002, Montreal, Canada, based in Paris and Quebec