On NYC Construction Barriers, Jean Shin Sees Artful Remnants of Development and Destruction
Old clothing, losing lottery tickets, and mangled umbrellas are among the materials that Jean Shin crafts into intricate, poetic, and often improbable installations and sculptures. For Shin, cast-offs hold remnants of their former use: “I seek to recall an object’s past, as well as suggest its greater connection to our collective memories, desires, and failures,” she says. In Chemical Balance (2005-09) she constructed illuminated stalactite- and stalagmite-like sculptures out of thousands of empty prescription bottles, a commentary on the rampant consumption of medications.
Korean-American, b. 1971, Seoul, South Korea, based in New York, New York